Galerie Lligat | Contemporary Art Gallery

Passés Cités • Group Exhibition
29. 08 | 14.11. 2020

EDOUARD TREMEAU
with Marc Crépy, Gilbert Desclaux,
Catherine Jansens, Jérémy Louvencourt

Muriel Valat-b News

Group exhibition in the Rathenauhallen in Berlin

1st | 25 october 2020

> See more about Muriel Valat-b at KKKA #3

KUNST KENNT KEINE AUSGANGSPERRE #3

Phalènes 2020. Detail. © Hugo Pedel

Anja Asche – Jutta Barth – Heike Franziska Bartsch – Barbara Bernardi – Steffen Blunk – Carsten Borck – Marion Luise Buchmann – Katja Ebert-Krüdener – Sinje Faby – Sophie Fensch – Elfi Greb – Aleksander Gudalo – Karolin Hägele – Andrea Imwiehe – Susanne Isakovic – Michael Koch – Beate Köhne – Constanze Kreiser – Uschi Krempel – Davide Lantermoz – Petra Lehnardt-Olm – Christin Lutze – Alice Morishita – Maria Naidyonova – Johannes Neuhann – Torsten Paul – Inna Perkas – Eriván Phumpiú – Kirstin Rabe – Kensuke Saito – Jochen Schlick – Muriel Valat-B – Christof Wegner – Ila Wingen

Muriel Valat-b

From image to image the dark and its cohorts are undoing themselves and moving towards the light. What remains are the braids and the lines that in cocoons
are not tidied up but set up an immense fragile thread: it is only there to hold back the day. Jean-Paul Gavard-Perret. La nuit est usée n°10, 2018.detail. Gavard-Perret. La nuit est usée n°10, 2018.Détail.

Naym Ben Amara

I have come to understand that the emergence of a form is undeniably a kind of conversation with it.

Jérémy Louvencourt

By carefully selecting his supports, even making their research a ritual act, Jérémy Louvencourt prepares a graphic tension that in the repetition of the gesture seeks less to find an origin than to measure itself against its trace.
© Jérémy Louvencourt, detail.

Gilbert Desclaux

By crumpling and trituring the paper material he covers with acrylic or more recently pastel, Gilbert Desclaux makes tactility a material from which he extracts the veins and folds of time.
© Gilbert Desclaux, detail.

Catherine Jansens

Catherine Jansens composes her watercolours from modest objects that belong to our memories to take them away from their daily functions and explore through them a metaphysics of the shapes.
© Catherine Jansens.